Karl Whelan's Euphonium Concerto with Brass Band is written in three linked movements:
I: Prelude
II: Aria
III: Scherzo
The first movement, Prelude, is in a mirror image sonata form and with its menacing ostinato sets the tone for the entire concerto and also introduces material on which the concerto is based. During this movement, the soloist has the opportunity to display their technical ability as well as the extremes of the instruments range.
A chord based on the notes of the ostinato signal the beginning of the second movement, Aria. Here, material from the first movement has been weaved together and moves through a multitude of keys, the soloist is able to show the expressive side of the instrument to create an almost yearning, operatic aria.
A reiteration of the 1st subject takes us into an almost march like figure at the beginning of the third movement, Scherzo. This is then interrupted both times by dance-like scherzo which, as with the rest of the concerto navigates itself through different keys leading to the cadenza that even the temple blocks have the the chance of participating in! The concerto concludes with almost a battle between the band (playing fragments of the first and second subjects from the first movement), and soloist who is attempting to have the last word!
To view a follow-the-score video of the work please visit: www.youtube.com/watch?v=aEnou67XHqA
Sheet music available from:
UK - www.brassband.co.uk
USA - www.solidbrassmusic.com
Instrumentation:
Euphonium Soloist Bb
Soprano Cornet Eb
Solo Cornet Bb
2nd Cornet Bb
3rd Cornet Bb
Flugel Horn Bb
Solo Horn Eb
1st Horn Eb
2nd Horn Eb
1st Baritone Bb
2nd Baritone Bb
1st Trombone Bb
2nd Trombone Bb
Bass Trombone
Euphonium Bb
Bass Eb
Bass Bb
Timpani
Percussion 1-3